Clavia Nord Lead 3 User Manual Page 41
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- Table of contents
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Panel Reference Page 41
Modulation of Oscillator 2 pitch: Please note you can modulate the pitch of Oscillator 2 in various ways: from
LFO 1, the Mod Env and from the Mod Wheel, for example. This can be used to create harmonically var-
ying timbres with a very characteristic sound.
Sync and Ring Modulation can be activated at the same time. Just press the Ring Mod/Sync button until
both indicators are lit.
Pulse Width
This setting only has any effect if Pulse wave is selected for either oscillator or both. It adjusts the pulse
width of the Pulse waves.
There’s only one Pulse Width setting, and it is common for both oscillators.
▼ When you turn the knob all the way to the left you get a perfect square wave which has a characteristic
“hollow” quality.
▼ When you turn the knob clockwise, the sounds gets progressively thinner. See page 79 for a general in-
troduction to pulse waves and pulse widths.
Pulse Width Modulation: Please note that the Pulse Width can be modulated by LFO 1 and the Modulation
Envelope. This creates a sweeping “chorus-like” effect suitable for pads and string sounds.
Amplifier
The Amplifier section is used to adjust the volume of the sound.
The Amplifier Envelope consists of the Attack Decay, Sustain and Release parameters. The Amplitude En-
velope is used to give the sound it’s basic shape (soft, slow, short, long etc.) for an introduction to enve-
lopes, see page 86.
Attack
(time)
Decay
(time)
Sustain
(level)
Release
(time)
Key Down
Key Up
Level
Time
- Table Of Contents 1
- Page 4 Table Of Contents 4
- 1. Introduction 5
- Page 6 Introduction 6
- 2. Connections 7
- Connecting Pedals 8
- 3. Basic Operations 9
- Selecting Programs 11
- Selecting Percussion Kits 12
- Layering 13
- Splitting the Keyboard 14
- Selecting Performances 15
- Stereo/Mono 16
- Master Tune 17
- Using a Sustain Pedal 17
- The “Panic” button 19
- Page 20 Basic Operations 20
- 4. Editing Programs 21
- Customizing Manual Mode 22
- Storing Programs 22
- Copying Programs 22
- Using PCMCIA Cards 23
- 5. Programming Velocity 25
- Sensitivity 25
- Moving the Range 27
- Morphing 28
- 6. Percussion Kits 29
- Percussion sounds 31
- Saving Percussion Kits 31
- 7. Performances 33
- Editing the Performance 34
- Saving a Performance 35
- Exiting Performance Mode 36
- What a Performance contains 36
- 8. Panel Reference 37
- Oscillator 2 38
- Settings For Both Oscillators 39
- Ring Mod 40
- Amplifier 41
- Filter Type 43
- Frequency 45
- Resonance 45
- Envelope Amount 46
- Velocity 46
- Kbd Track 46
- Distortion 47
- Waveform 48
- Destination 48
- LFO 2/Arpeggiator 49
- LFO 2:Arpeggiator Mode 49
- Arp range 50
- Arpeggio Hold 50
- About the Echo function 50
- LFO 2:LFO Mode 51
- Modulation Envelope 51
- Mod Wheel Destination 53
- Poly Legato Mono 54
- Portamento 55
- Oct Shift 56
- 9. Shift Functions 57
- Shift Function Listing 58
- Tune (Master Tune) 59
- Out Mode 59
- Settings for Slot A and B: 60
- Settings for Slot C and D: 60
- Prog/Ctrl 61
- MIDI Channel 62
- Accessing the Functions 63
- Sustain Pedal (SP) 68
- Pitch Bend Range (br) 68
- Unison Detune (Un) 68
- 10. MIDI 69
- Program Change 70
- Bank Select 71
- System Exclusive 71
- Connections 71
- Local On/Off 71
- MIDI Channels 71
- Controllers 72
- Bulk Dump 73
- Page 74 MIDI 74
- 11. About Subtractive 75
- Synthesis 75
- The Oscillators and Waveforms 76
- Amplitude 78
- Pulse Wave 79
- The Filter 81
- Filter Types 82
- Roll-off 83
- Filter Frequency 84
- The Amplifier 86
- Envelopes 86
- AD-Envelope 89
- 12. MIDI Implementation 91
- General Message format 93
- Patch Dumps 93
- Percussion Kit Patch Dump 94
- Patch Dump Request 95
- Performance Dump 96
- Performance Dump Request 97
- All Controllers Request 97
- Patch Dump Format 98
- MIDI Implementation Page 99 99
- Performance Data Format 100
- 13. Factory Settings 101
- Factory Percussion Kits 102
- Factory Performances 104
- About the Organ Sounds 105
- 14. MIDI Implementation 109
- 114 Index 114
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